WAR AND THE FUTURE (UPDATED w/LINKED TOC)

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It's time to rediscover the wonderful books we all cherish.

Published in 1920, F. Scott Fitzgerald's first novel, This Side of Paradise, became the novel that defined an era and launched his literary career. This is the story of Amory Blaine, "romantic egotist," and his journey from prep school to Princeton to the First World War. This dazzling chronicle of youth and the Jazz Age remains bitingly relevant decades later.





Fitzgerald's first novel, reprinted in the handsome Everyman's Library series of literary classic, uses numerous formal experiments to tell the story of Amory Blaine, as he grows up during the crazy years following the First World War. It also contains a new introduction by Craig Raine that describes critical and popular reception of the book when it came out in 1920.

Customer Reviews ::

Youth speaks. - Michael G. - Rochester, NY United States
When first published in 1920 This Side of Paradise rapidly became a bestseller and launched the career of its 24 year old author, F. Scott Fitzgerald. The novel's protagonist, Amory Blaine, is clearly a stand-in for Fitzgerald himself.
The book traces Amory's life from early childhood to young adulthood and describes in great detail his challenges and conflicts as he reaches maturity in the very turbulent second decade of the 20th century. Amory, like the author, becomes a Princeton man. Perhaps the most noteworthy aspect of This Side of Paradise is that Fitzgerald's unbridled nostalgia for his time spent at Princeton comes through loud and clear. (The fact that he never managed to graduate does not seem to have diminished his fond memories one iota.)
By his own admission, Amory is an egotistical elitist who has little or no empathy for the less fortunate lower classes. Much of the novel consists of Amory's introspection on the true nature of love, personal fulfillment, the relevance of religion and other equally obtuse subjects. This Side of Paradise is also a bit odd from a structural standpoint in that there is an overabundance of poetry interspersed with the prose and one of the more important chapters is written largely in the form of a play complete with lines of dialogue and stage direction.
Those inclined to criticize this book will see it as a hodgepodge of self-indulgence. But to the generation who came of age circa. 1920, it contained much that rang true.

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